tag:blogger.com,1999:blog-33287187.post2431821176290766628..comments2024-03-27T16:59:29.400-04:00Comments on NOISE: My review of James Franco in Sunday's NY TimesEric Obenaufhttp://www.blogger.com/profile/01684427234866223681noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-33287187.post-83693925465807268642010-10-23T13:25:00.670-04:002010-10-23T13:25:00.670-04:00Read this this morning with my coffee. Nice! Not s...Read this this morning with my coffee. Nice! Not sure why we don't more often connect the dots between the actor's and the fiction writer's process of identification. Am teaching a course on performance and fiction and this just came up in conversation with Matt Sharpe, who said he had to figure out and take notes on a lot of biographical details of a character that would never become explicit (or even apparently matter) in the narrative, and we observed that actors do that all the time.Barbara Browninghttps://www.blogger.com/profile/09401547326101119728noreply@blogger.com