Djeli's 2004 release, À Tierno Bokar, was one of the most politically trenchant and yet poetically sophisticated albums of recent memory. It was a complicated project for him to take on. He'd long ago openly stated his resistance to all organized religion and his specific concerns regarding Islam - not just fundamentalism, but even some moderate forms. He most frequently voiced his concerns in relation to gender politics and homophobia. But obviously, it was also important to acknowledge a figure of tolerance such as Bokar. Also, his sister Kadidia was deeply involved in Sufism. I'm sure this had an influence on the project.